Tag Archives: fairies

Faery Magic; Why Work with the Fae?

22 Friday Jan 2021

Posted by in Faery, Magic, Philosophy, Reflections, Witchcraft 101

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We often live our lives disconnected from our bodies and from the land. The fae folk are deeply embedded in the land and the living landscape and developing a relationship with them involves coming into a good relationship with the land on which we live and with nature as a whole. Simultaneously we realise that we are part of the natural world and we come back into better relationship with our own bodies and untamed selves.

We also have records of people;

  • Looking for faeries
  • gaining healing powers from them
  • seeking treasure
  • honouring their places
  • attempting to summon Faery Queens for power, support or wish granting
  • warding against their ill-will
  • leaving offerings

Among other practices. All of this shows that the fae have power and can help us in very practical ways, or can hinder us if we do not have a good relationship with them. This is mirrored in materialistic terms when we look at how a disrespectful attitude towards nature in general has led to a great deal of pollution and ill-health, and the loss of resources… i.e. wealth! 

Basically, a good relationship with the Fair Folk is a good relationship with the spirits who share the land that looks after us, and they can support us in our magical work if we look after them in return, just as the land supports us in our general lives if we treat it with respect. This, in turn, helps to heal us, them and the world around us.

Not all of them want to work with us, even of those that are generally of friendly natures. There are numerous stories where one sibling is kind and generous and is given gifts from the faeries they meet, and another is rude to the same beings and comes away much the worse for it. And there are tales of some, like the kelpies, who steal young people away to drown them. In the New Age model fairies are generally beings of light and always willing to grant wishes in return for offerings. In the folkloric traditions some of the fae are powerful allies, but that same power means that some are worth avoiding!

Approaching these beings with respect is thus the foundation of building a mutually supportive relationship and respect gives them a good sense of who and where you are.

A good first step is to reflect on your motivations, and to ask yourself; what can I offer them?

This is an extract from my online Folkloric Faery course, including both theory and plenty of practice. and there are currently spaces on the beta testing cycle available! Come join us!

Originally posted on Patreon. Thank you to my Patrons for your support! If you like what I write then please do consider supporting me as a Patron here. Your support means I can write more for you! And you get the posts early… *tempts*

You can also tip me via ko-fi, it all helps!

You can also Follow the blog, Share this post, and find me on Twitter to join in the conversation for free!

Over to you in the comments… why would you build a relationship with spirits such as the Fae?

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PS: You can also read more of my earlier thoughts on the magic of faery and how we can cultivate it in ourselves in my book Pagan Portals: Your Faery Magic published in 2015 by Moon Books.

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Faery Magic; What are Faeries?

15 Friday Jan 2021

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 TRUE THOMAS lay oer yond grassy bank,
 And he beheld a ladie gay,
 A ladie that was brisk and bold,
 Come riding oer the fernie brae.

 Her skirt was of the grass-green silk,
 Her mantel of the velvet fine,
 At ilka tett of her horse’s mane
 Hung fifty silver bells and nine. 

~ Extract from The Ballad of Thomas the Rhymer

The tale of True Thomas, or Thomas the Rhymer, is an old one from the wild borderlands of Scotland (in the North of the UK), though working with faeries and otherworldly spirits is certainly older. The earliest recorded version of Thomas’ story is recorded in a manuscript dating from around 1430-1440, and Thomas of Erceldoune, of whom the tale is written, lived two hundred years before that. The ballad which his story is most often told through nowadays was recorded in the early 1800s, and it keeps many of the key images from the earlier manuscript, demonstrating the strength of those images and their value as signposts to encounters with the fae.

“Thomas the Rhymer” is the story of how a bard gained the gift of prophecy from the Fair Folk, and it begins on the bank of a river, under a tree (most often hawthorn), where the Queen of Elfland comes across a sleeping Thomas. She takes him away, across vast rivers and past apple trees. He is taken into her service for seven years and warned to not speak a word whilst he is in Faeryland. At the end of his service to the Queen she gives him the gift of the tongue which cannot lie.

In these images we can find doorways to magical states and magical lands, guidance for developing a relationship with the fae folk and a structure through which we can build our own practices.

What are Faeries? Clues from the Queen

In all my time working with them I’ve come across a great many explanations for what they might be or how they may have come into being.

The description of the Queen in “Thomas Rhymer” as a beautiful lady in green silk, on a fine horse with bells in it’s mane gives us a few clues as to the nature of faeries. The green colour shows her role as part of the green world and the land, her horse shows her power and the bells ring with the music of faeryland. Beauty and music are signs of the way in which faery magic enchants us and conjures a sense of wonder – which encourages an openness to the world. It also reminds us that they are quite capable of showing us what we want to see in order to gain our trust. The specific location and Thomas historical status illustrate that the Fae are often connected to specific, real, places, even while they travel, and the river and the hawthorn tree are also notable as water is often a gateway to faeryland and the hawthorn is said to guard the entrance with it’s thorns, whilst the beauty of it’s blossoms open us to the sense of wonder required for travel between the worlds.

From both my experiences and the stories in which they feature I have come to the conclusion that the fae not simply one kind of being, but are a collection of related beings and powers, or spirits and energies, who embody (but are not limited to) the magic of the land and the natural world. They can be guardians of places, they are most often part of the green world or the water or stones, and they are very closely related to spirits of the dead. As spirits without bodies they are shapeshifters and so appear differently at different times, they are not limited as we are but they have a definite consciousness. They appear to me to have grown out of the earth and the land, much as we have. They make choices, have names and hold their own ethics and rules which differ from ours. 

The categories of “spirits” are impossible to define with any absolute authority, however, as the lines between spirit beings do not seem to be as clear-cut as we like to describe them. There are tales of how the fair folk were once fallen angels, or gods, and some may be becoming deities again… The spirits of the land are often considered of a different ilk, and yet they share commonalities, and our own ancestors can sometimes be found among the elves. Some traditions describe elemental spirits as faeries, and others use the term to indicate the spirits of plants. 

The common thread is that they are spirits; the magical, untamed, others who hold the magic and wisdom of the otherworld in ways which are reflected in their form. They are mutable and powerful, and, if we’re really lucky, they might just lend their power to our cause…

This is an extract from my online Folkloric Faery course, including both theory and plenty of practice. and there are currently spaces on the beta testing cycle available! Come join us!

You also can read more of my earlier thoughts on the magic of faery and how we can cultivate it in ourselves in my book Pagan Portals: Your Faery Magic published in 2015 by Moon Books.

"Your Faery Magic" Book cover

Originally posted on Patreon. Thank you to my Patrons for your support! If you like what I write then please do consider supporting me as a Patron here. Your support means I can write more for you! And you get the posts early… *tempts*

You can also tip me via ko-fi, it all helps!

You can also Follow the blog, Share this post, and find me on Twitter to join in the conversation for free!

Over to you in the comments. How would you describe faeries?

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Folkloric Faery Magic – Online Course!

01 Monday Jul 2019

Posted by in Faery, Following Delight, Magic

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Folkloric Course Postcard

What is Folkloric Faery magic?

Faery magic is working magic in relationship with faery spirits, who are primarily (arguably) spirits with close ties to the land and the “green” world. I’ve spent my entire life working with the Fae in one way or another, from greeting them everywhere as a child, to my current practise of prayer, honouring the Land Spirits, storytelling to share their magic, and travelling to Faeryland (in a manner often described as shamanic).

In this course I will be guiding you through some folkloric elements of faery magic so you can deepen your understanding and build your own practice in relationship with these spirits.

The six main lessons are:

  1. What is Folkloric Faery Magic? Getting Started, altars, and understandings.
  2. Opening the Way: A Foundation for working safely with the Fair Folk.
  3. Beginning On the Path: Recognising Faery Magic, making contact, and offerings.
  4. Crossing the Rivers: Magical Housework, Faery gateways, and the Beloved Dead.
  5. Entering Faeryland: Faery taboos and customs, and dreamwork.
  6. Returning Home: Finding clues to continue onwards, house spirits, and your path ahead.

How does this Online Course work? Beta Testing!

This course is delivered by email, six main lessons sent out weekly for you to work on at your own pace. For this first round I will be taking questions each week and potentially adding in new material in a variety of media – for example, I intend to send out audio recordings of the stories, weekly Q&As, and to be on hand for support via email.

Special Offer for beta testers!

Alongside the six main lessons you will receive:

  • Email Q&A – ask me questions and I’ll send out a weekly round up of questions asked by everyone on the course and my responses, advice, and recommendations for resources. This has the potential to be a huge resource for everyone as every individual brings something to the table and questions inspire new connections and information sharing of what you find important in your practice.
  • Random extra materials – audio, video, art, poetry, suggestions for creative projects… who knows! I’ll be listening to the spirits and responding to the participants so this beta testing round will be growing and expanding in new and interesting ways.
  • You get to shape the course! The main lessons are all written, but there is so much more to play with and explore. Tell me what you want from it as we go along and there’s a good chance it will appear!
  • The option to connect with others working through this in real-time. In future I will be setting this up as a home-study course so folk will be engaging at different speeds, so not only do you get my feedback and support if you join this time around, you also get to make like-minded connections and support, inspire, and encourage each other!

As you’ll be helping to improve this course and I’m excited to create it with you, but I’m going to be offering a lot more support than in future cycles, I’m going to limit this course to a maximum of 12 participants and offer it at an introductory price…

£60 (GBP) for the 6 weeks through Paypal (click here!)

Deadline for Booking: Midnight (BST), Sunday 28th July, 2019.

Course starts Monday 29th July, 2019

Your place is secured on receipt of payment. Contact me for installment plans, or alternative methods of payment.

Any Questions? Email me on haloquin (at) gmail (dot) com!

About Halo:

I’ve spent my entire life pixie led, and have been explicitly devoted to the Faery Queen for about a decade, with two decades of faery relations, magical work, and training under my belt. I’ve taught classes on working with the elements, the spirits of the land, stories old and new and many others, but my favourite classes are always those working with the Fae. It is my honour to share this work with you. My book, “Pagan Portals: Your Faery Magic” has found a home with over 1000 faery lovers and my storytelling show The Goblin Circus, born of a union between faery magic and performance, has appeared at many events across Britain, enchanting as we go. For more from me, explore this site

 

Steampunk Enchantment and Glamourie

22 Thursday Sep 2016

Posted by in Enchanted, Faery, Following Delight, Magic

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Glamour is traditionally a faery magic. The ability to make something look like something else, to make something more beautiful, or ugly, is a handy skill for hiding something, or testing someone.

In many stories a magical being will appear as an ugly or low-status person, hiding their nature to test the human… asking for bread while wearing this glamour the faery asks; “Is this human worth helping? Are they honourable? Do they help others to be helpful or for their own gain? Do they respect the land and all who live here, or only wish for benefits for themselves?”

On the other hand, sometimes you’ll hear of gold that turns into dead leaves when the glamour wears off, leaving the faery laughing in the distance with the goods. Although one can’t help but wonder if perhaps the very earth from which we grow, which feeds us and houses us and receives us in the end, perhaps the earth is more valuable than gold?

On to steampunkerie! This year I’ve taken the Goblin Circus to quite a few steampunk events and I’ve been pondering glamourie again. When we dress up we’re casting a glamour on ourselves. We don’t have to use this to present an image though, instead we can use it to create a space of possibility. When we add an element of fun we open the doors of possibility further because we can relax into the magic! Steampunk is great for this! (If you like the aesthetic!) Fairy festivals can serve a similar function.

 

I wonder what kind of magic can flow when we use these glamours? Could we create “personas” that are simply the best version of ourselves? Our most fully realised Us? And then perform those in spaces full of fun and playfulness in such a way that they then make space for that version of ourselves to manifest in every day life? Or do we tend to relegate those playful parts of ourselves to the safe spaces of themed events? Of course, we can use it to explore our shadows, or personas completely different to our own too… in which case it probably is best to leave those glamours behind, and instead learn from them…

… and share our bread with them so they know they are honoured too.

 

Pwyll’s Descent – Welsh Mythology and some Faeosophy

19 Thursday May 2016

Posted by in Enchanted, Faery, Magic, Philosophy, Stories, Storytelling

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My work has risen from my experiences with spirits and magic, my theories have come from exploring the stories and putting the tales and my experiences together… So something I’m working on is weaving the theory back into context of the stories for the talks and workshops I have coming up this summer and I thought my lovely readers here would enjoy a taster!

On 5th June I’ll be co-teaching a workshop on working with the spirits of the land and this little video introduces the first part of the story and some of the ideas behind this work.

Pwyll is the “Prince of Dyfed” and, whilst out hunting, he finds himself on a strange adventure to the Welsh Otherworld, Annwn. Later he will meet Rhiannon, but first he had to prove himself worthy of honour from Annwn and its denizens… 

 

This story is from the first branch of The Mabinogian, a cycle of stories written down in 12th-13th Centuries and compiled together (and translated into English) by Lady Charlotte Guest. Because of the time they were written they are couched in terms of medieval society and social structures, but the magic shines through, carrying with it evidence of the oral culture and understanding of the world in which these tales were born. Tracing the patterns of the myths and stories can teach us a lot about the relationship we humans have had with the land and its spirits, and what we had learnt (and have recently mostly forgotten) about how to navigate those relationships for the benefit of both worlds.

I believe this is so important I wrote a book on how to get in touch with your own connection to the otherworlds, and you can see more about that here, and I’m constantly exploring new ways to share that understanding and the skills that worked for me with others. Bringing it back to where I began, rooted in the stories, where we learn best, feels like and important thing to do now.

I’d love to hear your thoughts!

Faeosophy; Are Faeries Real?

06 Sunday Mar 2016

Posted by in Enchanted, Faery, Philosophy, Reflections

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Faeosophy – the philosophising of and about faeries and fae-ness.

Back in this post I shared some questions I’ve been pondering in my development of a Faerie philosophy. Of the questions listed I though these were a good place to start:

“Who and what are the Fae? How metaphorical are they? How metaphorical is our relationship to them?”

enchanted-grove-header-small.jpg

On the path of working with faeries, it’s useful to know what they are…

When working with faeries this is a kinda fundamental question on the one hand, and completely irrelevant on the other. My bottom line is that this work works for me, and it works best when I act as-if they are real. From a pragmatic perspective, then, I will continue to act as-if, and to believe that, faeries are literal, non-metaphorical beings.

One other thing – your mileage may well vary. Just because I encounter Faeries in this way does not mean that this is the only way of doing it, or that I’m right! Faeries are notoriously tricky to pin down. They are known for living in liminal spaces, for being betwixt and between, for leading us astray. They are perfectly capable of being kind and cruel, tangible and otherworldly, here and not both at once.

In which case – one answer to the question “what are the Fae?” is “paradoxical, illogical and variable.”

That’s not quite the kind of answer I was looking for though, so I’ll try again.

Little Lilith

They are the magical consciousness of nature.

In the stories they are a people with a different ethic and attitude to us. Or they are creatures intent on leading us away from human civilisation. They live in wilder places than we are used to. They can offer us help and unexpected wealth. They are uncompromising when their rules are broken. They are powerful, but subject to certain rules. They are beings of the natural world, but beings with magical powers.

 

In which case, they are the magical consciousness of nature.

But is this just a metaphor? Are they actual beings or are they stories we tell ourselves about the natural world but actually we don’t mean it?

When we encounter anything we have an experience, which we then understand in a certain way. We hear laughter – soundwaves are generated by someone, they enter our ears and are interpreted by our brain as laughter – just as we feel that something otherworldly is at play in the depths of the wildwood. When the laughter does not come from another human but we still hear it, echoing like bells over the waves, or when we are unsettled and certain something fae is watching us, whatever the tangible facts, we are experiencing faeries. The experience is not a metaphor, it is very real.

And, as I’ve said before, when I act as-if, when I believe that something more than what I would expect is possible, magic happens. I see or hear things that don’t make sense until I tell myself the story of faeries. They are a real something, there is a reality to them, and they make the most sense to me when I approach these experiences as faeries.

If they were just metaphors, however, they’d still be useful. If I told you a tale of dryads as a metaphor for the ways in which trees communicate through fungi and care for seedlings and stumps, and if you listened to that tale and treated trees better for it, then the metaphor would have given you a healthier way of relating to the world.

This is different to saying they have a reality independent of our stories – I and others have definitely encountered something when we’ve gone looking for faeries. When I say “I’ve seen a faery.” I don’t mean I’ve seen a flower do something I can’t explain, or that I’ve run across a natural process which I’ve needed to respect according to it’s rules. I mean I’ve had an experience, a real experience, which I understand as seeing a faerie.

Waiting for the Sun

The have a reality which is based in our personal and direct experience and so they walk alongside us, as family.

When I say “Faery”, I’m not talking metaphorically, I really mean “Faery”, because that is how I experience them. Ultimately, there is a reality here, it is my reality, and it works for me.

And perhaps that’s part of the magic of faeries; our relationship with them, our connection to them, is inherently and essentially personal and direct. We meet them, for the most part, one-to-one. They are not distant beings directing things from afar, they are walking beside us through the woods. Those that work with us are holding our hands, tripping us up, pointing out shiny things… like cousins ready for a giggle at our expense, but also, often, ready to be our family.

 

Workshop in Wales! Spirits of the Land!

17 Wednesday Feb 2016

Posted by in Enchanted, Faery, Magic

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Spirits of The Land Workshop! Sunday 5th June, 10am -7pm

Spirits of Place Workshop by HaloquinJoin us in the wild hills of West Wales for a day of magic!

Working with the spirits of the land and the stories of Pwyll, Arawn and Rhiannon we will delve deeply into working with the Spirits of the Land and developing our own practices for building and deepening our relationship with those spirits and powers.

This one-day event is in the tradition of Reclaiming Witchcraft in which we often honour the “Spirits of Place” or the “Spirits of the Land”, so in this workshop we will explore what this means and ways in which we can recognise and honour those spirits who graciously allow us to work our magic in their homes, and who support us as we do.

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Little Foal

Rhiannon, who once ruled over Dyfed, returns to help us learn to honour the spirits of the land…

In the first branch of The Mabinogian, Pwyll meets the Lord of the Otherworld, travels there, learns its ways and returns with a deep connection and friendship which benefits both worlds. Then, one of their ladies, the Goddess and Faery Queen Rhiannon, comes to live in our world and offer her wisdom and compassion to the people of her land. Through engaging with these stories and working directly with the spirits of the land in which those tales were born we will develop our skills for recognising and honouring the spirits in (almost) any place we find ourselves, building a foundation for future work with the spirits of the land and the faeries.

Who is this for?

This will be a practical, intensive day of magic. Some experience is helpful, but an open mind and willingness to participate is essential. If you would love to honour the spirits of the land and the Fae, deepen your relationship with them, and gain skills for continuing your own journey with them, this is for you. If you love the Welsh tales and gods, this is for you. If you enjoy hands-on, magical experiences, this is for you.

This is not a lecture. This is not therapy. This is not spellwork. This IS experiential work focussed on supporting you in developing your relationship with the spirits who have been here long before we have, in the way they present themselves to us now.

Visit my website for more details!

Questions? Want an online version of this? Fancy inviting us to put this on in your home town? Comment below or email Halo!

Some Faery Philosophy

04 Thursday Feb 2016

Posted by in Faery, Philosophy, Reflections

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Pandora's Box by JW Waterhouse

In my heart of hearts, I’m a philosopher, which means that I like to have thought through logically the reasons behind my beliefs. (This is sometimes like opening Pandora’s box… so here’s a disclaimer; these are my beliefs and thoughts, so I don’t expect everyone to agree with me by any means, I’m not out to convince anyone! I do find it interesting to hear why people think and say what they do though, so let’s have a discussion!)

In my last post I talk about pondering Faery Theology (there has to be a better word for this… any ideas?) so, by way of preliminary thoughts, here is an extract from chapter 3 of my book “Pagan Portals; Your Faery Magic” wherein I ponder the nature of faeries (as I see them) and the value of working with them.

 

If we look at the stories of Faeries, all the myths and legends, we see a common theme; they are all very strongly connected to, or embodying, nature. They are not, however, merely the plants or trees or forces they embody, they are beings that are inherently magical, beyond limits. Faeries are natural magic and, as part of nature ourselves, the magic within us is fey.

Humans are lured into Faeryland by beauty. Beautiful music, beautiful visions, beautiful food. And this beauty, once we return to earth, we pine for. So Faeryland is that place within the world, and ourselves as part of nature, in which the sense of magic, wonder and beauty lies, the natural core of our being. The heart of the world we reach through connecting to our Faery Heart.

If our hearts, at their untamed core, are places of beauty and magic, then following the call to Faeryland will open our hearts again to the beauty of the world. If we learn to touch the fey parts of ourselves then we can move through our lives open to the beauty that surrounds us and so we can reconnect to the natural world, with the other beings on the Earth as our brothers and sisters and kin.

…

And, of course, we recall the other parts of the stories of the fae…the wilder parts…the dangerous parts… They are untamed and not human and so their ethics are a little less strict than ours tend to be. In our heart we are natural beings, just like them; we have learnt really wonderful human skills, such as compassion and language, but in our search for order we have tried to tame our essential Selves and instead we have locked them away. These parts of ourselves hurt, so each day we die a little inside.

Here we choose to walk down a path that will lead us back to the parts within us that hold who we truly are. We seek all our parts, those that are good at communication, at compassion, and those that are good at standing up for us and being free. We do not have to give up the gifts of humanity in order to find our Faery Hearts and heal our lives, we can free ourselves of those things that do not serve us, release those things that hold us back and fly, carrying both gifts of humanity and gifts of Faery. We can choose to be both human and wild. That is what it means to be fey.

Fey means free. Free of the locks we’ve used to keep ourselves acceptable and free to choose to move in compassion and beauty. Fey means to be free to be our real Selves, to live our lives without unhealthy compromises, to dance to Faery music so we are filled with love and joy and deep feelings of connection even in a business meeting or on a busy, grimy underground train.

Fey means so full of shiny, happy, beauty, that you cannot help but share it.

Faeries are the conscious manifestation of the wild magic of the natural world. At our untamed core we are also part of the world, so part of our heart belongs to the realm of Faery… in which case, those of us that find our hearts singing with that wild magic? We are Fey. And when we allow ourselves to express that magic in ourselves we feel happy and we can share that happiness with the world.

It is always important in the stories to be respectful and to cultivate a good relationship with our “Good Neighbours” with whom we share a kinship, and the stories are where we first learn how to approach this people. In the same way we must learn to respect the wild world around us, to take only what we need and not deplete the land and her resources.

Growing up I was taught that the trees are conscious and aware. I was taught that the plants have feelings which deserve to be respected. I was taught that non-human animals are people just as we are. I learnt that the world around me was alive and the spirits dwell within everything. I have to eat to survive, but that doesn’t mean I don’t need to say thank you.

We are given masks to wear in our lives, but I have seen that we are much happier when we learn who we are under the masks and choose which masks to use and which to discard… and when to cast them off entirely and dance under the starlight with our friendly cousins.*

Book Cover YFM

 

*And it’s good to know which cousins bite, or don’t want to dance with you! You might swim in a river you know well, or cuddle your childhood canine-friend but you wouldn’t swim in a storm-tossed sea, or pick up a wild-wolf-cub with mamma wolf about to pounce, now would you? The Fae are the spirits of the wild, with all that entails.

 

The Silent Smile

06 Wednesday Jan 2010

Posted by in Faery

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Once upon a time… for that is how all stories must start, although there is always something before, and so it is also how all stories must end… Once upon a time there was a maiden who lived near a deep dark forest, a maiden named Rose.

When Rose was very small she would slip away into the forest and come home with twigs tangled in her hair and a silent smile upon her face. Her mother would ask her why she loved the forest so, and she would simply smile and shake her head.

One day, however, a sad thing happened. Rose stopped going into the trees.

All children grow up, and it seemed not in the least bit strange that she ceased her wandering home with twigs and leaves and moss entwined in her locks, and instead would come home with red lips and green eyeshadow.

And so Rose grew up.

She married, and they moved into a little cottage by the forest, next door to her parents. Sometimes, though, her beloved husband would catch her gazing sadly out of the window into the dark green leaves, but she never said why.

One day little Rose, who was not so little now, was ironing, or washing, or cooking, or somesuch chore as adults have to do but that seem never to be finished, and she heard a voice from outside the window.

A voice calling… singing… laughing…

And she ran outside (and I cannot remember if the dinner burned or the washing was left undone, for it really doesn’t matter today) and there, disappearing into the forest was a half-forgotten figure, a slender girl as green as grass and as naked as a newborn, with sunlit hair and the shadow of wings on her shoulders.

And Rose, of course, followed.

She followed the green-girl through the trees and as her feet felt the forest floor for the first time in forever, she remembered why she used to smile as a child.

And the green-girl stopped, and turned, and smiled.

And disappeared.

And Rose returned to the cottage, several hours later, with twigs entwined in her unbound hair, earth between her toes, and a silent smile on her lips.

And every now and again, still, though her hair is now grey and her feet less sure, she will kick off her shoes, unbind her hair, and slip into the forest to find her silent smile.